NOVA-002 / Contemporary drama
A Thousand Bookmarks
What his sister left behind was a single notebook of thoughts on anime and novels.
Slowly, a gray city begins to take on color.
What this story asks
The hours you gave to the things you love —
were they an escape from real life?
When every day passes as nothing more than a sequence of facts, the world looks terribly dull — low-resolution. The tremor of a feeling, the beauty of an evening sky: both go by as so much noise. To lose yourself in anime and novels is only an escape from that airless, mechanical reality — Minato, too, once sneered at stories in exactly that way. This book runs the order backwards. Borrowing the words his sister left in a notebook, the brother starts looking at his own city, and a landscape that used to be one flat color begins to separate out. What increased was not the city.
Synopsis
Until color returns to a gray city
What his sister left behind was a single notebook of thoughts on the anime she watched and the novels she read.
Minato Shinozaki, twenty-three. At the office where he is one year out of school, nothing is ever added to his score. Only mistakes are recorded, and the best day is the one on which nothing happened. He leaves after hours, takes the same train, walks the same street home. He has never once wondered what kind of trees are planted along that street. That was simply what the world was.
It has been a few months since Shiori, his sister, three years older, died in an accident. In life, she was the kind of person who talked eagerly at the dinner table about the anime she had watched. Minato always answered, “So what good does that do?” She never got angry. She would just smile, a little at a loss, and let the subject end. That is the face he finds himself remembering, over and over.
The notebook came out of her room. On the cover, a title in her handwriting — Viewing Log & Observation Diary — with the marks of two attempts at rewriting the “&”. Inside, records of what she had watched alternate with a diary in which she looked at the real world through the words she had found there. On the silence of the owner of a coffee shop. On the way people walk home from work. With words carried back out of stories, his sister had been looking at the ordinary.
He begins working through the titles the notebook names, one at a time. The reason is simple: if he watches what she watched, he might reach the view she was looking at. Watching becomes a duty that takes several hours out of every night. The productivity is zero. And still, the walk to work the next morning stops looking the way it looked the day before.
A landscape that used to be one flat color starts to separate out. The person waiting for someone at a bus stop, the senior colleague who is always irritated — he notices that each of them has circumstances that continue past where he had stopped looking. When a junior colleague is low, Minato borrows his sister's words and tries saying something. Sometimes it works. Sometimes it lands nowhere near. And every time he meets Akari, his sister's closest friend, he remembers there is something he still has not asked. Did she ever say anything about me. That one sentence, and it will not come out of his mouth.
And slowly, Minato comes to see it. The eyes he is looking at the world with are hers. Her words, her order, the direction she pointed. What is borrowed has to be given back eventually.
Was the time he spent on stories an escape from reality? Or was it preparation for loving that reality more deeply?
Can a brother reach the view his sister was looking at, using eyes of his own?
Someone else's background, your own lead role. — from Shiori's notebook
Characters
The one who left the words, the one who borrowed them
Minato Shinozaki
One year out of school
The brother who used to cut his sister short with “So what good does that do?” As he follows the notebook, the number of things he can see keeps growing.
Shiori Shinozaki
Minato's sister
She left one notebook behind: records of what she watched, alternating with a diary that looked at ordinary days through what she found there. She is no longer in this world.
Akari
Shiori's closest friend
The same age as Shiori. One of the few people left who knew his sister. There is still something Minato has not managed to ask her.
The owner
Of the coffee shop Sanatorium
A quiet man who says almost nothing beyond taking an order. At the end of his counter stands a single flower, and it changes with the season.